<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8151432</id><updated>2011-12-25T15:10:53.254-08:00</updated><title type='text'>Top Tens</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://cinemaetceteratoptens.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8151432/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://cinemaetceteratoptens.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Michael K.</name><uri>http://www.blogger.com/profile/10983425929991120494</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8151432.post-109399413473718849</id><published>2004-08-31T15:49:00.000-07:00</published><updated>2011-12-25T15:10:53.300-08:00</updated><title type='text'>Top Tens</title><content type='html'>&lt;font color="brown"&gt;all-time favorite&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;heartbreaking; mindblowing&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;excellent&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;great&lt;/font&gt;&lt;br /&gt;good&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pre-1930s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The General (Clyde Bruckman/Buster Keaton; 1927)&lt;br /&gt;2. The Passion of Joan of Arc (Carl Th. Dreyer; 1928)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;3. Sunrise (F.W. Murnau; 1927)&lt;br /&gt;4. Battleship Potemkin (Sergei Eisenstein; 1925)&lt;br /&gt;5. The Man with a Movie Camera (Dziga Vertov; 1929)&lt;br /&gt;6. &lt;em&gt;Sherlock Jr. (Buster Keaton; 1924)&lt;/em&gt;&lt;br /&gt;7. The Cabinet of Dr. Caligari (Robert Wiene; 1919)&lt;br /&gt;8. The Gold Rush (Charles Chaplin; 1925)&lt;br /&gt;9. The Kid (Charles Chaplin; 1921)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;10. Broken Blossoms (D.W. Griffith; 1919)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1902&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. A Trip to the Moon (Georges Melies)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1911&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. The Lonedale Operator (?)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1914&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Hazards of Helen: #26 (J.P. McGowan)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1919&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. The Cabinet of Dr. Caligari (Robert Wiene)&lt;br /&gt;2. Broken Blossoms (D.W. Griffith)&lt;/font&gt;&lt;br /&gt;3. &lt;em&gt;Sunnyside (Charles Chaplin)&lt;/em&gt;&lt;br /&gt;4. &lt;em&gt;A Day's Pleasure (Charles Chaplin)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1921&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. The Kid (Charles Chaplin)&lt;br /&gt;2. &lt;em&gt;The Playhouse (Buster Keaton/Eddie Cline)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;3. &lt;em&gt;The Haunted House (Buster Keaton/Eddie Cline)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1922&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. &lt;em&gt;Cops (Buster Keaton/Eddie Cline)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;2. &lt;em&gt;Pay Day (Charles Chaplin&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1923&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Our Hospitality (Buster Keaton/John G. Blystone)&lt;br /&gt;2. The Pilgrim (Charles Chaplin)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1924&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;1. &lt;em&gt;Sherlock Jr. (Buster Keaton)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1925&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;1. Battleship Potemkin (Sergei Eisenstein)&lt;br /&gt;2. The Gold Rush (Charlie Chaplin)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1927&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The General (Buster Keaton)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. Sunrise (F.W. Murnau)&lt;/font&gt;&lt;br /&gt;3. &lt;em&gt;Many a Slip (Charley Bowers)&lt;/em&gt;&lt;br /&gt;4. &lt;em&gt;The Wild Roomer (Charley Bowers)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1928&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The Passion of Joan of Arc (Carl Th. Dreyer)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;2. Steamboat Bill, Jr. (Charles F. Reisner)&lt;/font&gt;&lt;br /&gt;3. The Fall of the House of Usher (Jean Epstein)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1929&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;1. The Man with a Movie Camera (Dziga Vertov)&lt;br /&gt;2. &lt;em&gt;Un Chien Andalou (Luis Bunuel)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;3. &lt;span style="color:brown;"&gt;The River (Frank Borzage)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1930s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Grand Illusion (Jean Renoir; 1937)&lt;br /&gt;2. The Rules of the Game (Jean Renoir; 1939)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;3. Duck Soup (Leo McCarey; 1933)&lt;br /&gt;4. Modern Times (Charlie Chaplin; 1936)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;5. All Quiet on the Western Front (Lewis Milestone; 1930)&lt;br /&gt;6. Trouble in Paradise (Ernst Lubitsch; 1932)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;7. History Is Made At Night (Frank Borzage; 1937)&lt;br /&gt;8. Pepe le Moko (Julien Duvivier; 1937)&lt;br /&gt;9. City Lights (Charlie Chaplin; 1931)&lt;br /&gt;10. The Thin Man (W.S. Van Dyke; 1934)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1930&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;1. All Quiet on the Western Front (Lewis Milestone)&lt;/font&gt;&lt;br /&gt;2. Monte Carlo (Ernst Lubitsch)&lt;br /&gt;3. Earth (Aleksandr Dovzhenko)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1931&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. City Lights (Charlie Chaplin)&lt;br /&gt;2. A Nous la Liberte (Rene Clair)&lt;br /&gt;3. Le Million (Rene Clair)&lt;/font&gt;&lt;br /&gt;4. Delicious (David Butler)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1932&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. Trouble in Paradise (Ernst Lubitsch)&lt;/font&gt;&lt;br /&gt;2. &lt;font color="red"&gt;One Hour with You (Ernst Lubitsch)&lt;br /&gt;3. Freaks (Tod Browning)&lt;br /&gt;4. Scarface (Howard Hawks)&lt;br /&gt;5. Horse Feathers (Norman McLeod)&lt;br /&gt;6. Grand Hotel (Edmund Goulding)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1933&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. Duck Soup (Leo McCarey)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. Laughing Heirs (Max Ophüls)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;3. Baby Face (Alfred E. Green)&lt;/font&gt;&lt;br /&gt;4. Ladies They Talk About (Bretherton/Keighley)&lt;br /&gt;5. The Water Magician (Kenji Mizoguchi)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1934&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. The Thin Man (W.S. Van Dyke)&lt;br /&gt;2. The Merry Widow (Ernst Lubitsch)&lt;/font&gt;&lt;br /&gt;3. A Story of Floating Weeds (Yasujiro Ozu)&lt;br /&gt;4. La Signora di tutti (Max Ophüls)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1935&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. The 39 Steps (Alfred Hitchcock)&lt;/font&gt;&lt;br /&gt;2. A Night at the Opera (Sam Wood)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1936&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. Modern Times (Charlie Chaplin)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;2. The Lower Depths (Jean Renoir)&lt;br /&gt;3. My Man Godfrey (Gregory La Cava)&lt;/font&gt;&lt;br /&gt;4. Desire (Frank Borzage)&lt;br /&gt;5. The Tender Enemy (Max Ophüls)&lt;br /&gt;6. Osaka Elegy (Kenji Mizoguchi)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1937&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Grand Illusion (Jean Renoir)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;2. History Is Made at Night (Frank Borzage)&lt;br /&gt;3. Pepe le Moko (Julien Duvivier)&lt;br /&gt;4. Snow White and the Seven Dwarfs (Walt Disney)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1938&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. The Adventures of Robin Hood (Michael Curtiz &amp; William Keighley)&lt;br /&gt;2. Alexander Nevsky (Sergei Eisenstein)&lt;br /&gt;3. Port of Shadows (Marcel Carne)&lt;/font&gt;&lt;br /&gt;4. Three Comrades (Frank Borzage)&lt;br /&gt;5. Angels with Dirty Faces (Michael Curtiz)&lt;br /&gt;6. Bringing Up Baby (Howard Hawks)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1939&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The Rules of the Game (Jean Renoir)&lt;/font&gt;&lt;br /&gt;2. The Wizard of Oz (Victor Fleming)&lt;br /&gt;3. Of Mice and Men (Lewis Milestone)&lt;br /&gt;4. Stagecoach (John Ford)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1940s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Children of Paradise (Marcel Carne; 1945)&lt;br /&gt;2. Brief Encounter (David Lean; 1945)&lt;br /&gt;3. The Bicycle Thief (Vittorio De Sica; 1947)&lt;br /&gt;4. Citizen Kane (Orson Welles; 1941)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;5. The Third Man (Carol Reed; 1949)&lt;br /&gt;6. Le Corbeau (Henri-Georges Clouzot; 1943)&lt;br /&gt;7. The Shop Around the Corner (Ernst Lubitsch; 1940)&lt;br /&gt;8. Late Spring (Yasujiro Ozu; 1949)&lt;br /&gt;9. Thieves' Highway (Jules Dassin; 1949)&lt;/font&gt;&lt;br /&gt;10. &lt;font color="green"&gt;Out of the Past (Jacques Tourneur; 1947)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1940&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. The Shop Around the Corner (Ernst Lubitsch)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;2. Remember the Night (Mitchell Leisen)&lt;br /&gt;3. Pinocchio (Ben Sharpsteen &amp; Hamilton Luske)&lt;br /&gt;4. The Great Dictator (Charlie Chaplin)&lt;br /&gt;5. Fantasia (Ben Sharpsteen)&lt;/font&gt;&lt;br /&gt;6. The Sea Hawk (Michael Curtiz)&lt;br /&gt;7. The Bank Dick (Edward Cline)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1941&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Citizen Kane (Orson Welles)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. The Lady Eve (Preston Sturges)&lt;br /&gt;3. Dumbo (Ben Sharpsteen)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;4. Sullivan’s Travels (Preston Sturges)&lt;br /&gt;5. The Maltese Falcon (John Huston)&lt;/font&gt;&lt;br /&gt;6. Hideko the Bus Conductress (Mikio Naruse)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1942&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="red"&gt;1. Casablanca (Michael Curtiz)&lt;/font&gt;&lt;br /&gt;2. Bambi (David Hand)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1943&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. Le Corbeau (Henri-Georges Clouzot)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. Shadow of a Doubt (Alfred Hitchcock)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1944&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;1. A Canterbury Tale (Michael Powell/Emeric Pressburger)&lt;br /&gt;2. Double Indemnity (Billy Wilder)&lt;br /&gt;3. Henry V (Laurence Olivier)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1945&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Children of Paradise (Marcel Carne)&lt;br /&gt;2. Brief Encounter (David Lean)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;3. Detour (Edgar G. Ulmer)&lt;br /&gt;4. Scarlet Street (Fritz Lang)&lt;br /&gt;5. Mildred Pierce (Michael Curtiz)&lt;br /&gt;6. Les Dames du Bois de Boulogne (Robert Bresson)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The White Gorilla (Fraser)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1946&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;1. The Big Sleep (Howard Hawks)&lt;br /&gt;2. Green for Danger (Sidney Gilliat)&lt;br /&gt;3. It's a Wonderful Life (Frank Capra)&lt;br /&gt;4. My Darling Clementine (John Ford)&lt;br /&gt;5. Notorious (Alfred Hitchcock)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. The Killers (Robert Siodmak)&lt;br /&gt;7. Beauty and the Beast (Jean Cocteau)&lt;/font&gt;&lt;br /&gt;8. The Stranger (Orson Welles)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The Postman Always Rings Twice (Garnett)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1947&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The Bicycle Thief (Vittorio De Sica)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. Out of the Past (Jacques Tourneur)&lt;br /&gt;3. Body and Soul (Robert Rossen)&lt;br /&gt;4. Quai des Orfevres (Henri-Georges Clouzot)&lt;br /&gt;5. Brute Force (Jules Dassin)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. Black Narcissus (Powell &amp; Pressburger)&lt;br /&gt;7. &lt;em&gt;L'ecole des facteurs (Jacques Tati)&lt;/em&gt;&lt;br /&gt;8. The Exile (Max Ophüls)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1948&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;01. The Fallen Idol (Carol Reed)&lt;br /&gt;02. Unfaithfully Yours (Preston Sturges)&lt;br /&gt;03. Hamlet (Laurence Olivier)&lt;br /&gt;04. Key Largo (John Huston)&lt;br /&gt;05. The Naked City (Jules Dassin)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;06. Red River (Howard Hawks)&lt;/font&gt;&lt;br /&gt;07. Moonrise (Frank Borzage)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1949&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. The Third Man (Carol Reed)&lt;br /&gt;2. Late Spring (Yasujiro Ozu)&lt;br /&gt;3. Thieves' Highway (Jules Dassin)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;4. Stray Dog (Akira Kurosawa)&lt;br /&gt;5. &lt;em&gt;Blood of the Beasts (Georges Franju)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. Caught (Max Ophüls)&lt;br /&gt;7. D.O.A. (Rudolph Maté)&lt;br /&gt;8. The Reckless Moment (Max Ophüls)&lt;br /&gt;9. Christ in Concrete (Edward Dmytryk)&lt;/font&gt;&lt;br /&gt;10. Too Late for Tears (Byron Haskin)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1950s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. In a Lonely Place (Nicholas Ray; 1950)&lt;br /&gt;2. Rear Window (Alfred Hitchcock; 1954)&lt;br /&gt;3. Vertigo (Alfred Hitchcock; 1958)&lt;br /&gt;4. The 400 Blows (Francois Truffaut; 1959)&lt;br /&gt;5. Paths of Glory (Stanley Kubrick; 1957)&lt;br /&gt;6. The Night of the Hunter (Charles Laughton; 1955)&lt;br /&gt;7. Night and the City (Jules Dassin; 1950)&lt;br /&gt;8. Pickpocket (Robert Bresson; 1959)&lt;br /&gt;9. Early Summer (Yasujiro Ozu; 1951)&lt;br /&gt;10. Ugetsu (Kenji Mizoguchi; 1953)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1950&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. In a Lonely Place (Nicholas Ray)&lt;br /&gt;2. Night and the City (Jules Dassin)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;3. Sunset Blvd. (Billy Wilder)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;4. All About Eve (Joseph L. Mankiewicz)&lt;br /&gt;5. The Asphalt Jungle (John Huston)&lt;br /&gt;6. &lt;em&gt;III. Circular Tensions - Harry Smith&lt;/em&gt;&lt;br /&gt;7. Cinderella (Wilfred Jackson &amp; Hamilton Luske &amp; Clyde Geronimi)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;8. Rashomon (Akira Kurosawa)&lt;br /&gt;9. Victims of Sin (Emilio Fernandez)&lt;br /&gt;10. Diary of a Country Priest (Robert Bresson)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;yeah&lt;/em&gt;: Les enfants terribles (Melville); Los Olvidados (Bunuel)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1951&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Early Summer (Yasujiro Ozu)&lt;br /&gt;2. Ace in the Hole (Billy Wilder)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;3. Strangers on a Train (Alfred Hitchcock)&lt;br /&gt;4. Repast (Mikio Naruse)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;5. The River (Jean Renoir)&lt;br /&gt;6. A Streetcar Named Desire (Elia Kazan)&lt;/font&gt;&lt;br /&gt;7. Ginza Cosmetics (Mikio Naruse)&lt;br /&gt;8. Divine Horsemen: The Living Gods of Haiti (Maya Deren)&lt;br /&gt;9. A Place in the Sun (George Stevens)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1952&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Ikiru (Akira Kurosawa)&lt;br /&gt;2. Umberto D. (Vittorio De Sica)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;3. Mother (Mikio Naruse)&lt;br /&gt;4. The Life of Oharu (Kenji Mizoguchi)&lt;br /&gt;5. Lightning (Mikio Naruse)&lt;/font&gt;&lt;br /&gt;6. The White Sheik (Federico Fellini)&lt;br /&gt;7. High Noon (Fred Zinnemann)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1953&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Ugetsu (Kenji Mizoguchi)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;2. The Earrings of Madame de... (Max Ophüls)&lt;br /&gt;3. Tokyo Story (Yasujiro Ozu)&lt;br /&gt;4. Peter Pan (Clyde Geronimi/Wilfred Jackson)&lt;br /&gt;5. Pickup on South Street (Samuel Fuller)&lt;br /&gt;6. Wages of Fear (Henri-Georges Clouzot)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;7. Older Brother, Younger Sister (Mikio Naruse)&lt;br /&gt;8. I Vitelloni (Federico Fellini)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;9. The 5,000 Fingers of Dr. T (Roy Rowland)&lt;br /&gt;10. M. Hulot's Holiday (Jacques Tati)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: Roman Holiday (Wyler); All I Desire (Sirk)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Shane (Stevens); Summer with Monika (Bergman)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1954&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Rear Window (Alfred Hitchcock)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;2. Dial M for Murder (Alfred Hitchcock)&lt;br /&gt;3. Seven Samurai (Akira Kurosawa)&lt;br /&gt;4. Late Chrysanthemums (Mikio Naruse)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;5. Sound of the Mountain (Mikio Naruse)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. On the Waterfront (Elia Kazan)&lt;br /&gt;7. La Strada (Federico Fellini)&lt;/font&gt;&lt;br /&gt;8. Sansho the Bailiff (Kenji Mizoguchi)&lt;br /&gt;9. 20,000 Leagues Under the Sea (Richard Fleischer)&lt;br /&gt;10. Them! (Gordon Douglas)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1955&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The Night of the Hunter (Charles Laughton)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. Smiles of a Summer Night (Ingmar Bergman)&lt;br /&gt;3. Kiss Me Deadly (Robert Aldrich)&lt;br /&gt;4. &lt;em&gt;Night and Fog (Alain Resnais)&lt;/em&gt;&lt;br /&gt;5. Diabolique (H.G. Clouzot)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. Rebel Without a Cause (Nicholas Ray)&lt;br /&gt;7. All That Heaven Allows (Douglas Sirk)&lt;br /&gt;8. Lola Montés (Max Ophüls)&lt;br /&gt;9. Bob le Flambeur (Jean-Pierre Melville)&lt;br /&gt;10. The Trouble With Harry (Alfred Hitchcock)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeh&lt;/u&gt;: The Man from Laramie (Mann); East of Eden (Kazan); The Big Combo (Lewis); A Bloody Spear at Mt. Fuji (Uchida) &lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Rififi (Dassin); To Catch a Thief (Hitchcock)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1956&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. The Searchers (John Ford)&lt;br /&gt;2. A Man Escaped (Robert Bresson)&lt;br /&gt;3. Bigger Than Life (Nicholas Ray)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;4. Invasion of the Body Snatchers (Don Siegel)&lt;br /&gt;5. The Killing (Stanley Kubrick)&lt;/font&gt;&lt;br /&gt;6. There's Always Tomorrow (Douglas Sirk)&lt;br /&gt;7. Street of Shame (Kenji Mizoguchi)&lt;br /&gt;8. The Man in the Gray Flannel Suit (Nunnally Johnson)&lt;br /&gt;9. Around the World in 80 Days (Michael Anderson)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1957&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Paths of Glory (Stanley Kubrick)&lt;br /&gt;2. The Seventh Seal (Ingmar Bergman)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;3. Sweet Smell of Success (Alexander Mackendrick)&lt;/font&gt;&lt;br /&gt;4. &lt;font color="green"&gt;Witness for the Prosecution (Billy Wilder)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;5. Throne of Blood (Akira Kurosawa)&lt;br /&gt;6. The Cranes Are Flying (Mikhail Kalatozov)&lt;br /&gt;7. Nights of Cabiria (Federico Fellini)&lt;br /&gt;8. Wild Strawberries (Ingmar Bergman)&lt;/font&gt;&lt;br /&gt;9. &lt;em&gt;Rhythm (Len Lye)&lt;/em&gt;&lt;br /&gt;10. Bridge on the River Kwai (David Lean)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1958&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Vertigo (Alfred Hitchcock)&lt;br /&gt;2. Mon Oncle (Jacques Tati)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;3. Elevator to the Gallows (Louis Malle)&lt;/font&gt;&lt;br /&gt;4. Anzukko (Mikio Naruse)&lt;br /&gt;5. The Hidden Fortress (Akira Kurosawa)&lt;br /&gt;6. Touch of Evil (Orson Welles)&lt;br /&gt;7. Summer Clouds (Mikio Naruse)&lt;br /&gt;8. &lt;font color="brown"&gt;The Vikings (Richard Fleischer)&lt;/font&gt;&lt;br /&gt;9. &lt;em&gt;Les Mistons (Francois Truffaut)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1959&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The 400 Blows (Francois Truffaut)&lt;br /&gt;2. Pickpocket (Robert Bresson)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;3. Breathless (Jean-Luc Godard)&lt;br /&gt;4. Shadows (John Cassavetes)&lt;br /&gt;5. Some Like It Hot (Billy Wilder)&lt;br /&gt;6. North by Northwest (Alfred Hitchcock)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;7. Floating Weeds (Yasujiro Ozu)&lt;br /&gt;8. Ballad of a Soldier (Grigori Chukhraj)&lt;br /&gt;9. &lt;em&gt;Wedlock House: an Intercourse (Stan Brakhage)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;10. Fires on the Plain (Kon Ichikawa)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt; Hiroshima, Mon Amour (Resnais); Journey to the Center of the Eart (Levin)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1960s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Il Posto (Ermanno Olmi; 1961)&lt;br /&gt;2. Andrei Rublev (Andrei Tarkovsky; 1966)&lt;br /&gt;3. Woman in the Dunes (Hiroshi Teshigahara; 1964)&lt;br /&gt;4. The Battle of Algiers (Gillo Pontecorvo; 1965)&lt;br /&gt;5. Playtime (Jacques Tati; 1967)&lt;br /&gt;6. Red Beard (Akira Kurosawa; 1965)&lt;br /&gt;7. Once Upon a Time in the West (Sergio Leone; 1968)&lt;br /&gt;8. Charade (Stanley Donen; 1963)&lt;br /&gt;9. Band of Outsiders (Jean-Luc Godard; 1964)&lt;br /&gt;10. L'Eclisse (Michelangelo Antonioni; 1962)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1960&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. L'Avventura (Michelangelo Antonioni)&lt;br /&gt;2. Psycho (Alfred Hitchcock)&lt;br /&gt;3. Eyes Without a Face (Georges Franju)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;4. Peeping Tom (Michael Powell)&lt;br /&gt;5. The Apartment (Billy Wilder)&lt;/font&gt;&lt;br /&gt;6. The Bad Sleep Well (Akira Kurosawa)&lt;br /&gt;7. When a Woman Ascends the Stairs (Mikio Naruse)&lt;br /&gt;8. Approach of Autumn (Mikio Naruse)&lt;br /&gt;9. Swiss Family Robinson (Ken Annakin)&lt;br /&gt;10. Daughters, Wives, and a Mother (Mikio Naruse)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;eh&lt;/em&gt;: The Magnificent Seven (Sturges)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1961&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Il Posto (Ermanno Olmi)&lt;br /&gt;2. Yojimbo (Akira Kurosawa)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;3. Through a Glass Darkly (Ingmar Bergman)&lt;br /&gt;4. Breakfast at Tiffany's (Blake Edwards)&lt;br /&gt;5. A Woman is a Woman (Jean-Luc Godard)&lt;br /&gt;6. La Notte (Michelangelo Antonioni)&lt;/font&gt;&lt;br /&gt;7. Jules and Jim (Francois Truffaut)&lt;br /&gt;8. The Guns of Navarone (J. Lee Thompson)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1962&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. L'Eclisse (Michelangelo Antonioni)&lt;br /&gt;2. Sanjuro (Akira Kurosawa)&lt;br /&gt;3. Harakiri (Masaki Kobayashi)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;4. Winter Light (Ingmar Bergman)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;5. An Autumn Afternoon (Yasujiro Ozu)&lt;br /&gt;6. Le Doulos (Jean-Pierre Melville)&lt;br /&gt;7. The Man Who Shot Liberty Valance (John Ford)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;8. &lt;em&gt;Window Water Baby Moving (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;9. Ivan's Childhood (Andrei Tarkovsky)&lt;br /&gt;10. Cleo from 5 to 7 (Agnes Varda)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: &lt;font color="red"&gt;La Commare Secca (Bertolucci); The Manchurian Candidate (Frankenheimer); I Fidanzanti (Olmi)&lt;/font&gt;; Heaven and Earth Magic (Smith); To Kill a Mockingbird (Mulligan); Mamma Roma (Pasolini); Lawrence of Arabia (Lean); &lt;em&gt;Antoine and Colette (Truffaut)&lt;/em&gt;; Long Day's Journey Into Night (Lumet); Ride the High Country (Peckinpah)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Lolita (Kubrick)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1963&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Charade (Stanley Donen)&lt;br /&gt;2. 8 1/2 (Federico Fellini)&lt;br /&gt;3. The Silence (Ingmar Bergman)&lt;br /&gt;4. &lt;font color="brown"&gt;&lt;em&gt;La Jetée (Chris Marker)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;5. Shock Corridor (Samuel Fuller)&lt;br /&gt;6. The Birds (Alfred Hitchcock)&lt;br /&gt;7. The Great Escape (John Sturges)&lt;br /&gt;8. &lt;em&gt;Mothlight (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;9. Black Sabbath (Mario Bava)&lt;br /&gt;10. The Pink Panther (Blake Edwards)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1964&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Woman in the Dunes (Hiroshi Teshigahara)&lt;br /&gt;2. Band of Outsiders (Jean-Luc Godard)&lt;br /&gt;3. Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick)&lt;br /&gt;4. The Umbrellas of Cherbourg (Jacques Demy)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;5. A Hard Day's Night (Richard Lester)&lt;br /&gt;6. A Fistful of Dollars (Sergio Leone)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;7. The Naked Kiss (Samuel Fuller)&lt;br /&gt;8. &lt;em&gt;Early Abstractions 1-5 (Harry Smith)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;9. Goldfinger (Guy Hamilton)&lt;br /&gt;10. Mary Poppins (Robert Stevenson)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: Red Desert (Antonioni); The Gospel According to St. Matthew (Pasolini); The Killers (Siegel)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1965&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The Battle of Algiers (Gillo Pontecorvo)&lt;br /&gt;2. Red Beard (Akira Kurosawa)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;3. For a Few Dollars More (Sergio Leone)&lt;/font&gt;&lt;br /&gt;4. Major Dundee (Sam Peckinpah)&lt;br /&gt;5. A High Wind in Jamaica (Alexander Mackendrick)&lt;br /&gt;6. Alphaville (Jean-Luc Godard)&lt;br /&gt;7. &lt;em&gt;Kustom Kar Kommandos (Kenneth Anger)&lt;/em&gt;&lt;br /&gt;8. &lt;em&gt;The City Tramp (Rainer Werner Fassbinder)&lt;/em&gt;&lt;br /&gt;9. &lt;em&gt;The Reticule of Love (Storm De Hirsch)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1966&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Andrei Rublev (Andrei Tarkovsky)&lt;br /&gt;2. Le deuxieme souffle (Jean-Pierre Melville)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;3. The Endless Summer (Bruce Brown)&lt;br /&gt;4. Closely Watched Trains (Jiri Menzel)&lt;br /&gt;5. The Good, The Bad and The Ugly (Sergio Leone)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. Au hasard Balthazar (Robert Bresson)&lt;br /&gt;7. Who's Afraid of Virginia Woolf? (Mike Nichols)&lt;br /&gt;8. Seconds (John Frankenheimer)&lt;br /&gt;9. Black Girl (Ousmane Sembene)&lt;br /&gt;10. Persona (Ingmar Bergman)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: The Sword of Doom (Okamoto); &lt;em&gt;The Wagoner&lt;/em&gt; (Sembene)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1967&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Playtime (Jacques Tati)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. Le Samourai (Jean-Pierre Melville)&lt;br /&gt;3. Cool Hand Luke (Stuart Rosenberg)&lt;br /&gt;4. The Graduate (Mike Nichols)&lt;/font&gt;&lt;br /&gt;5. Mouchette (Robert Bresson)&lt;br /&gt;6. &lt;em&gt;La Cotta (Ermanno Olmi)&lt;/em&gt;&lt;br /&gt;7. &lt;em&gt;The Perfect Human (Jorgen Leth)&lt;/em&gt;&lt;br /&gt;8. &lt;em&gt;Eye Myth (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;9. Belle de jour (Luis Bunuel)&lt;br /&gt;10. &lt;em&gt;Hot Leatherette (Robert Nelson)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The Fearless Vampire Killers, or: Pardon Me, but Your Teeth Are in My Neck (Polanski)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1968&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Once Upon a Time in the West (Sergio Leone)&lt;br /&gt;2. 2001: A Space Odyssey (Stanley Kubrick)&lt;br /&gt;3. Faces (John Cassavetes)&lt;br /&gt;4. &lt;font color="brown"&gt;If.... (Lindsay Anderson)&lt;/font&gt;&lt;br /&gt;5. Night of the Living Dead (George A. Romero)&lt;br /&gt;6. Mandabi (The Money Order) (Ousmane Sembene)&lt;br /&gt;7. Danger: Diabolik (Mario Bava)&lt;br /&gt;8. Stolen Kisses (Francois Truffaut)&lt;br /&gt;9. Rosemary’s Baby (Roman Polanski)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1969&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;span style="color:brown;"&gt;Army of Shadows (Jean-Pierre Melville)&lt;/span&gt;&lt;br /&gt;2. Z (Costa-Gavras)&lt;br /&gt;3. The Wild Bunch (Sam Peckinpah)&lt;br /&gt;4. Butch Cassidy and the Sundance Kid (George Roy Hill)&lt;br /&gt;5. Easy Rider (Dennis Hopper)&lt;br /&gt;6. &lt;em&gt;A Day with the Boys (Clu Gulager)&lt;/em&gt;&lt;br /&gt;7. The Magic Christian (Joseph McGrath)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1970s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Manhattan (Woody Allen; 1979)&lt;br /&gt;2. The Godfather Pts. I &amp; II (Francis Ford Coppola; 1972/1974)&lt;br /&gt;3. Annie Hall (Woody Allen; 1977)&lt;br /&gt;4. The Marriage of Maria Braun (Rainer Werner Fassbinder; 1978)&lt;br /&gt;5. Straw Dogs (Sam Peckinpah; 1971)&lt;br /&gt;6. A Woman Under the Influence (John Cassavetes; 1974)&lt;br /&gt;7. Badlands (Terrence Malick; 1973)&lt;br /&gt;8. Nashville (Robert Altman; 1975)&lt;br /&gt;9. Walkabout (Nicolas Roeg; 1971)&lt;br /&gt;10. Le Cercle Rouge (Jean-Pierre Melville; 1970)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1970&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Le Cercle Rouge (Jean-Pierre Melville)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;2. The Conformist (Bernardo Bertolucci)&lt;br /&gt;3. M*A*S*H (Robert Altman)&lt;br /&gt;4. The Ballad of Cable Hogue (Sam Peckinpah)&lt;br /&gt;5. Five Easy Pieces (Bob Rafelson)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;6. Gimme Shelter (Maysles/Maysles/Zwerin)&lt;br /&gt;7. Bed and Board (Francois Truffaut)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;8. Duel (Steven Spielberg)&lt;/font&gt;&lt;br /&gt;9. &lt;em&gt;The Ossuary (Jan Svankmajer)&lt;/em&gt;&lt;br /&gt;10. &lt;em&gt;Aristotle (Storm De Hirsch)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1971&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Straw Dogs (Sam Peckinpah)&lt;br /&gt;2. Walkabout (Nicolas Roeg)&lt;br /&gt;3. Two-Lane Blacktop (Monte Hellman)&lt;br /&gt;4. The Hired Hand (Peter Fonda)&lt;br /&gt;5. The Last Picture Show (Peter Bogdanovich)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;6. McCabe &amp; Mrs. Miller (Robert Altman)&lt;br /&gt;7. Harold and Maude (Hal Ashby)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;8. Dirty Harry (Don Siegel)&lt;br /&gt;9. Murmur of the Heart (Louis Malle)&lt;br /&gt;10. Vanishing Point (Richard C. Sarafian)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;:&lt;font color="red"&gt;A Clockwork Orange (Kubrick)&lt;/font&gt;;&lt;font color="red"&gt;The French Connection (Friedkin)&lt;/font&gt;; &lt;font color="red"&gt;Willy Wonka and the Chocolate Factory (Stuart)&lt;/font&gt;; WR: Mysteries of the Organism (Makavejev); The Pittsburgh Trilogy (Brakhage); Macbeth (Polanski); Bananas (Allen)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The Garden of the Finzi-Continis (De Sica); Punishment Park (Watkins)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1972&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. The Godfather (Francis Ford Coppola)&lt;br /&gt;2. Fat City (John Huston)&lt;br /&gt;3. Aguirre: The Wrath of God (Werner Herzog)&lt;br /&gt;4. The Discreet Charm of the Bourgeoisie (Luis Buñuel)&lt;br /&gt;5. The Boxer from Shantung (Zhang Che/Bao Xueli)&lt;br /&gt;6. Solaris (Andrei Tarkovsky)&lt;br /&gt;7. Boxcar Bertha (Martin Scorsese)&lt;br /&gt;8. Un Flic (Jean-Pierre Melville)&lt;br /&gt;9. Deliverance (John Boorman)&lt;br /&gt;10. The Getaway (Sam Peckinpah)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: &lt;em&gt;Refrain&lt;/em&gt; (Kieslowski); The Bitter Tears of Petra von Kant (Fassbinder)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Cries and Whispers (Bergman)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1973&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;01. Badlands (Terrence Malick)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;02. O Lucky Man! (Lindsay Anderson)&lt;br /&gt;03. The Long Goodbye (Robert Altman)&lt;br /&gt;04. Paper Moon (Peter Bogdanovich)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;05. The Spirit of the Beehive (Victor Erice)&lt;br /&gt;06. The Friends of Eddie Coyle (Peter Yates)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;07. American Graffiti (George Lucas)&lt;br /&gt;08. Enter the Dragon (Robert Clouse)&lt;br /&gt;09. 5 Fingers of Death (Chang Ho Cheng)&lt;br /&gt;10. The Sting (George Roy Hill)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: Sleeper (Allen); Day for Night (Truffaut); Papillon (Schaffner); The Paper Chase (Bridges)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The Exorcist (Friedkin); Flesh for Frankenstein (Morrissey; although the movie was mediocre on the whole, lines like "To know death, Otto, you have to fuck life in the gallbladder," are pretty much excellent.)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1974&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. The Godfather Pt. II (Francis Ford Coppola)&lt;br /&gt;2. A Woman Under the Influence (John Cassavetes)&lt;br /&gt;3. F for Fake (Orson Welles)&lt;br /&gt;4. The Conversation (Francis Ford Coppola)&lt;br /&gt;5. Ali: Fear Eats the Soul (Rainer Werner Fassbinder)&lt;br /&gt;6. Chinatown (Roman Polanski)&lt;br /&gt;7. Céline and Julie Go Boating (Jacques Rivette)&lt;br /&gt;8. Hearts &amp; Minds (Peter Davis)&lt;br /&gt;9. Bring Me the Head of Alfredo Garcia (Sam Peckinpah)&lt;br /&gt;10. &lt;em&gt;The Great Ecstasy of Woodcarver Steiner (Werner Herzog)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: The Taking of Pelham One Two Three (Sargent); Blood for Dracula (Morrissey); Amarcord (Fellini); Scenes from a Marriage (Bergman)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;ridiculously fun, relatively meh&lt;/u&gt;: Earthquake (Robson)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;purely meh&lt;/u&gt;: Phase IV (Bass)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1975&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Nashville (Robert Altman)&lt;br /&gt;2. Monty Python and the Holy Grail (Terry Jones &amp; Terry Gilliam)&lt;br /&gt;3. Jaws (Steven Spielberg)&lt;br /&gt;4. The Passenger (Michelangelo Antonioni)&lt;br /&gt;5. The Mirror (Andrei Tarkovsky)&lt;br /&gt;6. &lt;font color="brown"&gt;Love and Death (Woody Allen)&lt;/font&gt;&lt;br /&gt;7. Picnic at Hanging Rock (Peter Weir)&lt;br /&gt;8. Dog Day Afternoon (Sidney Lumet)&lt;br /&gt;9. Master of the Flying Guillotine (Jimmy Wang Yu)&lt;br /&gt;10. One Flew Over the Cuckoo's Nest (Milos Forman)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: Hand of Death (aka Countdown in Kung Fu) (Woo)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1976&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Taxi Driver (Martin Scorsese)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;2. Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;3. Harlan County, USA (Barbara Kopple)&lt;br /&gt;4. The Killing of a Chinese Bookie (John Cassavetes)&lt;br /&gt;5. Network (Sidney Lumet)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. Small Change (Francois Truffaut)&lt;/font&gt;&lt;br /&gt;7. Buffalo Bill and the Indians, or: Sitting Bull's History Lesson (Robert Altman)&lt;br /&gt;8. Rocky (John G. Avildsen)&lt;br /&gt;9. Coup de Grace (Volker Schlondorff)&lt;br /&gt;10. The Scar (Krzysztof Kieslowski)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1977&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Annie Hall (Woody Allen)&lt;br /&gt;2. Star Wars (George Lucas)&lt;br /&gt;3. 3 Women (Robert Altman)&lt;br /&gt;4. Opening Night (John Cassavetes)&lt;br /&gt;5. &lt;font color="brown"&gt;Eraserhead (David Lynch)&lt;/font&gt;&lt;br /&gt;6. Suspiria (Dario Argento)&lt;br /&gt;7. The American Friend (Wim Wenders)&lt;br /&gt;8. Clans of Intrigue (Chu Yuan)&lt;br /&gt;9. Equus (Sidney Lumet)&lt;br /&gt;10. Close Encounters of the Third Kind (Steven Spielberg)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: The Last Wave (Weir); That Obscure Object of Desire (Bunuel)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1978&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. The Marriage of Maria Braun (Rainer Werner Fassbinder)&lt;br /&gt;2. Big Wednesday (John Milius)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;3. Get Out Your Handkerchiefs (Bertrand Blier)&lt;br /&gt;4. Days of Heaven (Terrence Malick)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;5. The Deer Hunter (Michael Cimino)&lt;/font&gt;&lt;br /&gt;6. National Lampoon's Animal House (John Landis)&lt;br /&gt;7. Grease (Randal Kleiser)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1979&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Manhattan (Woody Allen)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;2. Apocalypse Now (Francis Ford Coppola)&lt;/font&gt;&lt;br /&gt;3. &lt;font color="red"&gt;Being There (Hal Ashby)&lt;/font&gt;&lt;br /&gt;4. Dirty Ho (Lau Kar-leung)&lt;br /&gt;5. Love on the Run (Francois Truffaut)&lt;br /&gt;6. Monty Python's Life of Brian (Terry Jones)&lt;br /&gt;7. Stalker (Andrei Tarkovsky&lt;br /&gt;8. Alien (Ridley Scott)&lt;br /&gt;9. Wise Blood (John Huston)&lt;br /&gt;10. The Muppet Movie (James Frawley)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: Last Hurrah for Chivalry (Woo); Kramer vs. Kramer (Benton)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1980s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Do the Right Thing (Spike Lee; 1989)&lt;br /&gt;2. &lt;em&gt;Werner Herzog Eats His Shoe (Les Blank; 1980)&lt;/em&gt;&lt;br /&gt;3. Hannah and Her Sisters (Woody Allen; 1986)&lt;br /&gt;4. Sans Soleil (Chris Marker; 1983)&lt;br /&gt;5. The Thin Blue Line (Errol Morris; 1988)&lt;br /&gt;6. &lt;font color="brown"&gt;The King of Comedy (Martin Scorsese; 1983)&lt;/font&gt;&lt;br /&gt;7. Wings of Desire (Wim Wenders; 1988)&lt;br /&gt;8. &lt;em&gt;The Decalogue (Krzysztof Kieslowski; 1988)&lt;/em&gt;&lt;br /&gt;9. The Shining (Stanley Kubrick; 1980)&lt;br /&gt;10. The Last Temptation of Christ (Martin Scorsese; 1988)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1980&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;Werner Herzog Eats His Shoe (Les Blank)&lt;/em&gt;&lt;br /&gt;2. &lt;font color="brown"&gt;Stardust Memories (Woody Allen)&lt;/font&gt;&lt;br /&gt;3. The Shining (Stanley Kubrick)&lt;br /&gt;4. The Empire Strikes Back (Irvin Kershner)&lt;br /&gt;5. Gates of Heaven (Errol Morris)&lt;br /&gt;6. Raging Bull (Martin Scorsese)&lt;br /&gt;7. The Long Riders (Walter Hill)&lt;br /&gt;8. The Blues Brothers (John Landis)&lt;br /&gt;9. Airplane! (Abrahams/Zucker/Abrahams)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1981&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Coup de torchon (Bertrand Tavernier)&lt;br /&gt;2. &lt;em&gt;The Garden of Earthly Delights (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;3. &lt;font color="brown"&gt;The Road Warrior (George Miller)&lt;/font&gt;&lt;br /&gt;4. Ms. 45 (Abel Ferrara)&lt;br /&gt;5. Body Heat (Lawrence Kasdan)&lt;br /&gt;6. Raiders of the Lost Ark (Steven Spielberg)&lt;br /&gt;7. Time Bandits (Terry Gilliam)&lt;br /&gt;8. Lola (Rainer Werner Fassbinder)&lt;br /&gt;9. The Great Muppet Caper (Jim Henson)&lt;br /&gt;10. Chariots of Fire (Hugh Hudson)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1982&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;01. One from the Heart (Francis Ford Coppola)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;02. Fitzcarraldo (Werner Herzog)&lt;br /&gt;03. Fanny and Alexander (Ingmar Bergman)&lt;br /&gt;04. Eating Raoul (Paul Bartel)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;05. Burden of Dreams (Les Blank)&lt;br /&gt;06. Veronika Voss (Rainer Werner Fassbinder)&lt;br /&gt;07. Diner (Barry Levinson)&lt;br /&gt;08. Blade Runner (Ridley Scott)&lt;/font&gt;&lt;br /&gt;09. E.T. The Extra Terrestrial (Steven Spielberg)&lt;br /&gt;10. Fast Times at Ridgemont High (Amy Heckerling)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1983&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;01. L'argent (Robert Bresson)&lt;br /&gt;02. Sans Soleil (Chris Marker)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;03. The King of Comedy (Martin Scorsese)&lt;br /&gt;04. Style Wars (Henry Chalmant/Tony Silver)&lt;br /&gt;05. Videodrome (David Cronenberg)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;06. The Dresser (Peter Yates)&lt;/font&gt;&lt;br /&gt;07. Zelig (Woody Allen)&lt;br /&gt;08. Return of the Jedi (Richard Marquand)&lt;br /&gt;09. Monty Python's The Meaning of Life (Terry Jones)&lt;br /&gt;10. Scarface (Brian De Palma)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: Freeze Frame (Tscherkassky); A Christmas Story (Clark); The Right Stuff (Kaufman)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1984&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;01. Repo Man (Alex Cox)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;02. Under the Volcano (John Huston)&lt;br /&gt;03. Secret Honor (Robert Altman)&lt;br /&gt;04. Stranger Than Paradise (Jim Jarmusch)&lt;br /&gt;05. The Hit (Stephen Frears)&lt;br /&gt;06. Stop Making Sense (Jonathan Demme)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;07. The Element of Crime (Lars von Trier)&lt;br /&gt;08. Amadeus (Milos Forman)&lt;br /&gt;09. Ghostbusters (Ivan Reitman)&lt;br /&gt;10. This is Spinal Tap (Rob Reiner)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;yeh&lt;/em&gt;: Antonion Gaudi (Teshigahara); Blood Simple (Coen); Sixteen Candles (Hughes); The Terminator (Cameron)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1985&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;font color="brown"&gt;After Hours (Martin Scorsese)&lt;/font&gt;&lt;br /&gt;2. &lt;em&gt;Broken Down Film (Osamu Tezuka)&lt;/em&gt;&lt;br /&gt;3. Ran (Akira Kurosawa)&lt;br /&gt;4. Brazil (Terry Gilliam)&lt;br /&gt;5. Re-Animator (Stuart Gordon)&lt;br /&gt;6. Death of a Salesman (Volker Schlondorff)&lt;br /&gt;7. Back to the Future (Robert Zemeckis)&lt;br /&gt;8. Pale Rider (Clint Eastwood)&lt;br /&gt;9. The Breakfast Club (John Hughes)&lt;br /&gt;10. Heroes Shed No Tears (John Woo)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1986&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Hannah and Her Sisters (Woody Allen)&lt;br /&gt;2. Down by Law (Jim Jarmusch)&lt;br /&gt;3. Stand by Me (Rob Reiner)&lt;br /&gt;4. Platoon (Oliver Stone)&lt;br /&gt;5. Blue Velvet (David Lynch)&lt;br /&gt;6. Something Wild (Jonathan Demme)&lt;br /&gt;7. Ferris Bueller's Day Off (John Hughes)&lt;br /&gt;8. A Better Tomorrow (John Woo)&lt;br /&gt;9. Aliens (James Cameron)&lt;br /&gt;10. The Fly (David Cronenberg)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Notable&lt;/u&gt;: &lt;em&gt;Nightmusic (Brakhage)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Meh&lt;/u&gt;: Sid &amp; Nancy (Cox)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1987&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Full Metal Jacket (Stanley Kubrick)&lt;br /&gt;2. &lt;em&gt;The Dante Quartet (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;3. House of Games (David Mamet)&lt;br /&gt;4. The Princess Bride (Rob Reiner)&lt;br /&gt;5. Evil Dead II (Sam Raimi)&lt;br /&gt;6. Raising Arizona (Joel Coen)&lt;br /&gt;7. Au revoir, les enfants (Louis Malle)&lt;br /&gt;8. Robocop (Paul Verhoeven)&lt;br /&gt;9. &lt;em&gt;Kindering (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;10. Spaceballs (Mel Brooks)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: Predator (McTiernan); City on Fire (Lam)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1988&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. The Thin Blue Line (Errol Morris)&lt;br /&gt;2. Wings of Desire (Wim Wenders)&lt;br /&gt;3. &lt;em&gt;The Decalogue (Krzysztof Kieslowski)&lt;/em&gt;&lt;br /&gt;4. The Last Temptation of Christ (Martin Scorsese)&lt;br /&gt;5. Die Hard (John McTiernan)&lt;br /&gt;6. The Firm (Alan Clarke)&lt;br /&gt;7. &lt;em&gt;Tanner '88 (Robert Altman)&lt;/em&gt;&lt;br /&gt;8. A Better Tomorrow II (John Woo)&lt;br /&gt;9. Damnation (Bela Tarr)&lt;br /&gt;10. &lt;em&gt;I...Dreaming (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Notable&lt;/u&gt;: Cinema Paradiso (Tornatore); The Dead Pool (Van Horn); &lt;em&gt;Rage Net&lt;/em&gt; (Brakhage); Who Framed Roger Rabbit? (Zemeckis)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1989&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;01. Do the Right Thing (Spike Lee)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;02. Mystery Train (Jim Jarmusch)&lt;br /&gt;03. The Killer (John Woo)&lt;br /&gt;04. Henry V (Kenneth Branagh)&lt;br /&gt;05. Say Anything... (Cameron Crowe)&lt;br /&gt;06. Heathers (Michael Lehman)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;07. Indiana Jones and the Last Crusade (Steven Spielberg)&lt;/font&gt;&lt;br /&gt;07. For All Mankind (Al Reinert)&lt;br /&gt;08. &lt;em&gt;Elephant (Alan Clarke)&lt;/em&gt;&lt;br /&gt;10. Batman (Tim Burton)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: Field of Dreams (Robinson)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: Glory (Zwick)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1990s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Rushmore (Wes Anderson; 1998)&lt;br /&gt;2. Pulp Fiction (Quentin Tarantino; 1994)&lt;br /&gt;3. Unforgiven (Clint Eastwood; 1992)&lt;br /&gt;4. The Thin Red Line (Terrence Malick; 1998)&lt;br /&gt;5. &lt;font color="brown"&gt;Paradise Lost: The Child Murders at Robin Hood Hills (Berlinger/Sinofsky; 1996)&lt;/font&gt;&lt;br /&gt;6. Short Cuts (Robert Altman; 1993)&lt;br /&gt;7. Fargo (Joel Coen; 1996)&lt;br /&gt;8. Exotica (Atom Egoyan; 1995)&lt;br /&gt;9. Goodfellas (Martin Scorsese; 1990)&lt;br /&gt;10. Satantango (Bela Tarr; 1994)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1990&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Goodfellas (Martin Scorsese)&lt;br /&gt;2. Miami Blues (George Armitage)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;3. Miller's Crossing (Joel Coen)&lt;br /&gt;4. Nikita (Luc Besson)&lt;br /&gt;5. Rosencrantz &amp; Guildenstern Are Dead (Tom Stoppard)&lt;br /&gt;6. Metropolitan (Whit Stillman)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;7. Wild at Heart (David Lynch)&lt;/font&gt;&lt;br /&gt;8. Misery (Rob Reiner)&lt;br /&gt;9. Edward Scissorhands (Tim Burton)&lt;br /&gt;10. Hamlet (Franco Zeffirelli)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: Dances with Wolves (Costner)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: Dreams (Kurosawa)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1991&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;&lt;br /&gt;01. Barton Fink (Joel Coen)&lt;br /&gt;02. My Own Private Idaho (Gus Van Sant)&lt;br /&gt;03. Life is Sweet (Mike Leigh)&lt;/font&gt;&lt;br /&gt;04. &lt;font color="green"&gt;JFK (Oliver Stone)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;05. Naked Lunch (David Cronenberg)&lt;br /&gt;06. &lt;em&gt;Delicacies of Molten Horror Synapse (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;07. Dogfight (Nancy Savoca)&lt;/font&gt;&lt;br /&gt;08. Point Break (Kathryn Bigelow)&lt;br /&gt;09. Homicide (David Mamet)&lt;br /&gt;10. Delicatessen (Jean-Pierre Jeunet &amp; Marc Caro)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: Terminator 2: Judgement Day (Cameron); Thelma &amp; Louise (Scott); The Silence of the Lambs (Demme)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1992&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;01. Unforgiven (Clint Eastwood)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;02. Reservoir Dogs (Quentin Tarantino)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;03. Glengarry Glen Ross (James Foley)&lt;br /&gt;04. A River Runs Through It (Robert Redford)&lt;br /&gt;05. &lt;em&gt;For Marilyn (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;06. Hard Boiled (John Woo)&lt;br /&gt;07. Funky Monks (Gavin Bowden)&lt;br /&gt;08. Aladdin (John Musker/Ron Clements)&lt;/font&gt;&lt;br /&gt;09. Bad Lieutenant (Abel Ferrara)&lt;br /&gt;10. &lt;em&gt;Crack Glass Eulogy (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: Wayne's World (Spheeris); The Last of the Mohicans (Mann)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1993&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Short Cuts (Robert Altman)&lt;br /&gt;2. Naked (Mike Leigh)&lt;br /&gt;3. Schindler's List (Steven Spielberg)&lt;br /&gt;4. &lt;span style="color:brown;"&gt;The Piano (Jane Campion)&lt;/span&gt;&lt;br /&gt;5. True Romance (Tony Scott)&lt;br /&gt;6. Blue (Krzysztof Kieslowski)&lt;br /&gt;7. Army of Darkness (Sam Raimi)&lt;br /&gt;8. &lt;em&gt;Stellar (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;9. Dazed and Confused (Richard Linklater)&lt;br /&gt;10. Groundhog Day (Harold Ramis)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Meh&lt;/u&gt;: Carlito's Way (De Palma); &lt;em&gt;Study in Color and Black and White&lt;/em&gt; (Brakhage)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1994&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Pulp Fiction (Quentin Tarantino)&lt;br /&gt;2. &lt;font color="brown"&gt;Satantango (Bela Tarr)&lt;/font&gt;&lt;br /&gt;3. Chungking Express (Wong Kar-Wai)&lt;br /&gt;4. Hoop Dreams (James/Marx/Gilbert)&lt;br /&gt;5. Ed Wood (Tim Burton)&lt;br /&gt;6. Heavenly Creatures (Peter Jackson)&lt;br /&gt;7. Red (Krzysztof Kieslowski)&lt;br /&gt;8. The Shawshank Redemption (Frank Darabont)&lt;br /&gt;9. The Hudsucker Proxy (Joel Coen)&lt;br /&gt;10. &lt;em&gt;Black Ice (Stan Brakhage)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: The Endless Summer II (Brown)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Clerks (Smith)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1995&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;01. Exotica (Atom Egoyan; 1994)&lt;br /&gt;02. Before Sunrise (Richard Linklater)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;03. Se7en (David Fincher)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;04. Safe (Todd Haynes)&lt;br /&gt;05. Fallen Angels (Wong Kar-wai)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;06. Heat (Michael Mann)&lt;br /&gt;07. 12 Monkeys (Terry Gilliam)&lt;br /&gt;08. Billy Madison (Tamra Davis)&lt;br /&gt;09. The City of Lost Children (Jean-Pierre Jeunet)&lt;br /&gt;10. Toy Story (John Lasseter)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: Leaving Las Vegas (Figgis); Sonic Outlaws (Baldwin); &lt;em&gt;Odilon Redon or The Eye Like a Strange Balloon Mounts Toward Infinity&lt;/em&gt; (Maddin)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The Usual Suspects (Singer); Institute Benjamenta (Quay)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: Casino (Scorsese); Kids (Clark)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1996&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;font color="brown"&gt;Paradise Lost: The Child Murders at Robin Hood Hills (Berlinger/Sinofsky)&lt;/font&gt;&lt;br /&gt;2. Fargo (Joel Coen)&lt;br /&gt;3. Bottle Rocket (Wes Anderson)&lt;br /&gt;4. Breaking the Waves (Lars von Trier)&lt;br /&gt;5. Secrets &amp; Lies (Mike Leigh)&lt;br /&gt;6. Dead Man (Jim Jarmusch)&lt;br /&gt;7. &lt;em&gt;Kill the Day (Lynne Ramsay)&lt;/em&gt;&lt;br /&gt;8. Welcome to the Dollhouse (Todd Solondz)&lt;br /&gt;9. Swingers (Doug Liman)&lt;br /&gt;10. Mars Attacks! (Tim Burton)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;notable&lt;/u&gt;: American Buffalo (Corrente); Happy-End (Tscherkassky)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1997&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Good Will Hunting (Gus Van Sant)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;2. Jackie Brown (Quentin Tarantino)&lt;/font&gt; &lt;br /&gt;&lt;font color="green"&gt;3. The Spanish Prisoner (David Mamet)&lt;br /&gt;4. Happy Together (Wong Kar-Wai)&lt;br /&gt;5. George of the Jungle (Sam Weisman)&lt;br /&gt;6. Boogie Nights (Paul Thomas Anderson)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;7. The Game (David Fincher)&lt;br /&gt;8. &lt;em&gt;Commingled Containers (Stan Brakhage)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;9. Fast, Cheap &amp; Out of Control (Errol Morris)&lt;br /&gt;10. L.A. Confidential (Curtis Hanson)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: Austin Powers: International Man of Mystery (Roach); &lt;em&gt;Gasman&lt;/em&gt; (Ramsay); Chasing Amy (Smith); Cure (K. Kurosawa); Grosse Pointe Blank (Armitage); Breakdown (Mostow)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: &lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The Roe's Room (Majewski)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: A Thousand Acres (Moorhouse)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1998&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Rushmore (Wes Anderson)&lt;br /&gt;2. The Thin Red Line (Terrence Malick)&lt;br /&gt;3. The Big Lebowski (Joel Coen)&lt;br /&gt;4. Fear and Loathing in Las Vegas (Terry Gilliam)&lt;br /&gt;5. Rounders (John Dahl)&lt;br /&gt;6. Life is Beautiful (Roberto Benigni)&lt;br /&gt;7. Buffalo '66 (Vincent Gallo)&lt;br /&gt;8. Mr. Jealousy (Noah Baumbach)&lt;br /&gt;9. Meet Joe Black (Martin Brest)&lt;br /&gt;10. Instrument (Jem Cohen)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: Run, Lola, Run (Tykwer); Pi (Aronofsky); Saving Private Ryan (Spielberg)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: Happiness (Solondz)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1999&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. &lt;span style="color:brown;"&gt;&lt;em&gt;Outer Space (Peter Tscherkassky)&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;2. The Matrix (Wachowski Bros.)&lt;br /&gt;3. Magnolia (Paul Thomas Anderson)&lt;br /&gt;4. Fight Club (David Fincher)&lt;br /&gt;5. Ratcatcher (Lynne Ramsay)&lt;br /&gt;6. Being John Malkovich (Spike Jonze)&lt;br /&gt;7. The Limey (Steven Soderbergh)&lt;br /&gt;8. Three Kings (David O. Russell)&lt;br /&gt;9. The Sixth Sense (M. Night Shyamalan)&lt;br /&gt;10. The Virgin Suicides (Sofia Coppola)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: The Insider (Mann); My Best Fiend: Klaus Kinski (Herzog); American Beauty (Mendes); Office Space (Judge)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: 6ixtynin9 (Ratanaruang); Dogma (Smith)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: The Terrorist (Sivan)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2000s&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. High Fidelity (Stephen Frears; 2000)&lt;br /&gt;2. In the Mood for Love (Wong Kar-Wai; 2001)&lt;br /&gt;3. The Man Who Wasn’t There (Joel Coen; 2001)&lt;br /&gt;4. Dogville (Lars Von Trier; 2004)&lt;br /&gt;5. 25th Hour (Spike Lee; 2002)&lt;br /&gt;6. &lt;font color="brown"&gt;Miami Vice (Michael Mann; 2006)&lt;/font&gt;&lt;br /&gt;7. Punch-Drunk Love (Paul Thomas Anderson; 2002)&lt;br /&gt;8. Code Unknown (Michael Haneke; 2000)&lt;br /&gt;9. Dancer in the Dark (Lars von Trier; 2000)&lt;br /&gt;10. O Brother, Where Art Thou? (Joel Coen; 2000)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2000&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. High Fidelity (Stephen Frears)&lt;br /&gt;2. Code Unknown (Michael Haneke)&lt;br /&gt;3. Dancer in the Dark (Lars von Trier)&lt;br /&gt;4. O Brother, Where Art Thou? (Joel Coen)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;5. Unbreakable (M. Night Shyamalan)&lt;br /&gt;6. George Washington (David Gordon Green)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;7. Almost Famous (Cameron Crowe)&lt;br /&gt;8. Yi Yi (Edward Yang)&lt;br /&gt;9. &lt;em&gt;Heart of the World (Guy Maddin)&lt;/em&gt;&lt;/font&gt;&lt;br /&gt;10. &lt;font color="red"&gt;State and Main (David Mamet)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Notable&lt;/u&gt;: The Emperor's New Groove (Dindal); Traffic (Soderbergh); Requiem for a Dream (Aronofsky); Ghost Dog: The Way of the Samurai (Jarmusch); &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2001&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. In the Mood for Love (Wong Kar-Wai; 2000)&lt;br /&gt;2. The Man Who Wasn't There (Joel Coen)&lt;br /&gt;3. Mulholland Drive (David Lynch)&lt;br /&gt;5. Memento (Christopher Nolan)&lt;br /&gt;4. The Royal Tenenbaums (Wes Anderson)&lt;br /&gt;6. Werckmeister Harmonies (Bela Tarr; 2000)&lt;br /&gt;7. Amelie (Jean-Pierre Jeunet)&lt;br /&gt;8. Audition (Takashi Miike; 2000)&lt;br /&gt;9. Ocean's Eleven (Steven Soderbergh)&lt;br /&gt;10. Moulin Rouge (Baz Luhrmann)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Notable&lt;/u&gt;: Ghost World (Zwigoff); The King is Alive (Levring); Donnie Darko (Kelly); Hell House (Ratliff); Mysterious Object at Noon (Weerasethakul) (2000); Okie Noodling (Beesley);  Training Day (Fuqua); Y Tu Mama Tambien (Cuaron)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2002&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. 25th Hour (Spike Lee)&lt;br /&gt;2. Punch-Drunk Love (Paul Thomas Anderson)&lt;br /&gt;3. Gerry (Gus Van Sant)&lt;br /&gt;4. Solaris (Steven Soderbergh)&lt;br /&gt;5. I Am Trying to Break Your Heart (Sam Jones)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;6. Funny Ha Ha (Andrew Bujalski)&lt;br /&gt;7. Igby Goes Down (Burr Steers)&lt;br /&gt;8. Spirited Away (Hayao Miyazaki; 2001)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;8. Signs (M. Night Shyamalan)&lt;br /&gt;10. City of God (Fernando Meirelles/Katia Lund)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Notable&lt;/u&gt;: Spider-Man (Raimi); Dream Work (Tscherkassky); 28 Days Later (Boyle); Morvern Callar (Ramsay); Intacto (Fresnadillo); The Pianist (Polanski); &lt;em&gt;The Skywalk is Gone (Tsai)&lt;/em&gt;; Spellbound (Blitz)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;Meh&lt;/u&gt;: Adaptation (Jonze); Better Luck Tomorrow (Lin); The Piano Teacher (Haneke)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;1. Elephant (Gus Van Sant)&lt;br /&gt;2. The Son (Jean-Pierre &amp; Luc Dardenne; 2002)&lt;br /&gt;3. Irreversible (Gaspar Noe; 2002)&lt;br /&gt;4  Kill Bill Vol. 1 (Quentin Tarantino)&lt;br /&gt;5. Pirates of the Caribbean: The Curse of the Black Pearl (Gore Verbinski)&lt;br /&gt;6. Intolerable Cruelty (Joel Coen)&lt;br /&gt;7. &lt;font color="brown"&gt;Capturing the Friedmans (Andrew Jarecki)&lt;/font&gt;&lt;br /&gt;6. Angels in America (Mike Nichols)&lt;br /&gt;7. The Triplets of Belleville (Sylvain Chomet)&lt;br /&gt;10. All the Real Girls (David Gordon Green)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeh&lt;/u&gt;: The Fog of War (Morris); Jandek on Corwood (Freidrichs); (Decasia: The State of Decay (Morrison, 2002); Lost in Translation (Coppola); Mystic River (Eastwood); School of Rock (Linklater); Shattered Glass (Ray)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: American Splendor (Berman/Pulcini); A Mighty Wind (Guest); Seabiscuit (Ross)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: The Cooler (Kramer); Monster (Jenkins)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2004&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Dogville (Lars Von Trier; 2003)&lt;br /&gt;2. The Life Aquatic with Steve Zissou (Wes Anderson)&lt;br /&gt;3. Primer (Shane Carruth)&lt;br /&gt;4. Eternal Sunshine of the Spotless Mind (Michel Gondry)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;5. Cowards Bend the Knee (Guy Maddin; 2003)&lt;br /&gt;6. Closer (Mike Nichols)&lt;br /&gt;7. I [Heart] Huckabees (David O. Russell)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;8. Spring, Summer, Fall, Winter...and Spring (Kim Ki-Duk; 2003)&lt;br /&gt;9. Birth (Jonathan Glazer)&lt;br /&gt;10. Before Sunset (Richard Linklater)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: &lt;font color="red"&gt;The Incredibles (Bird); Kill Bill Vol. 2 (Tarantino); Collateral (Mann); The Saddest Music in the World (Maddin, 2003); Touching the Void (Macdonald, 2003)&lt;/font&gt;; &lt;em&gt;7:35 in the Morning (Vigalondo)&lt;/em&gt;; A Very Long Engagement (Jeunet);  Crimson Gold (Panahi, 2003); Harold and Kumar Go to White Castle (Leinar); Distant (Ceylan, 2002);The Five Obstructions (von Trier/Leth, 2003); Goodbye, Dragon Inn (Tsai, 2003); Sideways (Payne); Spartan (Mamet); Spider-Man 2 (Raimi); Super Size Me (Spurlock); Metallica: Some Kind of Monster (Berlinger/Sinofsky); The Village (Shyamalan); Melinda and Melinda (Allen)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Fahrenheit 9/11 (Moore); Hero (Zhang); The Manchurian Candidate (Demme); The Motorcycle Diaries (Salles); Open Water (Kentis); Team America: World Police (Parker)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: The Passion of the Christ (Gibson); Twentynine Palms (Dumont); Million Dollar Baby (Eastwood)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2005&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. The Wayward Cloud (Tsai Ming-liang)&lt;br /&gt;2. The New World (Terrence Malick)&lt;br /&gt;3. A History of Violence (David Cronenberg)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;4. &lt;span style="color:brown;"&gt;Kiss Kiss Bang Bang (Shane Black)&lt;/span&gt;&lt;br /&gt;5. Kung Fu Hustle (Chow; 2004)&lt;br /&gt;6. Grizzly Man (Werner Herzog)&lt;br /&gt;7. &lt;em&gt;Instructions for a Light and Sound Machine (Peter Tscherkassky)&lt;/em&gt;&lt;br /&gt;8. Cache (Hidden) (Michael Haneke)&lt;br /&gt;9. 3-Iron (Ki-Duk Kim)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;10. Capote (Bennett Miller)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: &lt;font color="red"&gt;Last Days (Van Sant); Broken Flowers (Jarmusch); Oldboy (Park); Sin City (Miller/Rodriguez/Tarantino); Fever Pitch (Farrely)&lt;/font&gt;; Gabrielle (Chereau); Layer Cake (Vaughn); Brokeback Mountain (Lee); We Jam Econo: The Story of the Minutemen (Irwin); The World (Jia; 2004); Tropical Malady (Weerasethakul); Howl's Moving Castle (Miyazaki; 2004); Fearless Freaks (Beesley); Living Rights (Tellegen)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: The Squid and the Whale (Baumbach); Land of the Dead (Romero); Batman Begins (Nolan)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: Crash (Haggis)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2006&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. Miami Vice (Michael Mann)&lt;br /&gt;2. The Prestige (Christopher Nolan)&lt;br /&gt;3. Old Joy (Kelly Reichardt)&lt;br /&gt;4. Mutual Appreciation (Andrew Bujalski)&lt;br /&gt;5. Brick (Rian Johnson)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;6. The Departed (Martin Scorsese)&lt;/font&gt;&lt;br /&gt;&lt;font color="brown"&gt;7. INLAND EMPIRE (David Lynch)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;8. Down in the Valley (David Jacobson)&lt;br /&gt;9. A Scanner Darkly (Richard Linklater)&lt;br /&gt;10. The Host (Bong Joon-ho)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: &lt;font color="red"&gt;Half Nelson (Fleck); The Child (Dardennes); The Black Dahlia (De Palma); Scott Walker: 30 Century Man (Kijak)&lt;/font&gt;; Mission Impossible: III (Abrams); Dave Chappelle's Block Party (Gondry); Marie Antoinette (Coppola); Borat (Charles); The Guatemalan Handshake (Rohal); The Fountain (Aronofsky)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: Sleeping Dogs Lie (Goldthwait); Children of Men (Cuaron); Babel (Iñárritu)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Art School Confidential (Zwigoff); Lady in the Water (Shyamalan); Pirates of the Caribbean: Dead Man's Chest (Verbinski)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: The Bridge (Steel)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2007&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="brown"&gt;1. There Will Be Blood (Paul Thomas Anderson)&lt;br /&gt;2. The Darjeeling Limited (Wes Anderson)&lt;br /&gt;3. Death Proof (Quentin Tarantino)&lt;br /&gt;4. No Country for Old Men (Ethan Coen/Joel Coen)&lt;br /&gt;5. Ratatouille (Brad Bird)&lt;/font&gt;&lt;br /&gt;&lt;font color="blue"&gt;6. Silent Light (Carlos Reygadas)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;7. My Kid Could Paint That (Amir Bar-Lev)&lt;br /&gt;8. Gone Baby Gone (Ben Affleck)&lt;br /&gt;9. You, the Living (Roy Andersson)&lt;/font&gt; &lt;br /&gt;&lt;font color="red"&gt;10. Encounters at the End of the World (Werner Herzog)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeah&lt;/u&gt;: Ocean's 13 (Soderbergh); Planet Terror (Rodriguez); Joshua (Ratliff); The Assassination of Jesse James by the Coward Robert Ford (Dominik); Zodiac (David Fincher); Time (Kim; 2006); Superbad (Mottola); &lt;em&gt;Quinoa&lt;/em&gt; (Lynch); Eastern Promises (Cronenberg); The King of Kong (Gordon); Joe Strummer: The Future Is Unwritten (Temple); Dedication (Theroux); Black Snake Moan (Brewer); Atonement (Wright)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: Southland Tales (Kelly); Knocked Up (Apatow); Syndromes and a Century (Weerasethakul; 2006); Disturbia (Caruso); Paprika (Kon; 2006); Sukiyaki Western Django (Miike); The Ten (Wain); Smiley Face (Araki)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: 300 (Snyder); Harry Potter and the Order of the Phoenix (Yates); Into the Wild (Penn)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: License to Wed (Kwapis)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2008&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. Afterschool (Antonio Campos)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;2. The Wrestler (Darren Aronofsky)&lt;br /&gt;3. Rachel Getting Married (Jonathan Demme) &lt;br /&gt;4. The Dark Knight (Christopher Nolan)&lt;br /&gt;5. Synecdoche, New York (Charlie Kaufman)&lt;br /&gt;6. WALL-E (Andrew Stanton)&lt;br /&gt;7. Speed Racer (The Wachowski Bros.)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;8. Burn After Reading (Joel &amp; Ethan Coen)&lt;br /&gt;9. Bronson (Nicolas Winding Refn)&lt;br /&gt;10. Hunger (Steve McQueen)&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;yeah&lt;/em&gt;: Paranoid Park (Van Sant); JCVD (El Mechri); Iron Man (Favreau); Wild Combination: A Portrait of Arthur Russell (Wolf); Revolutionary Road (Sam Mendes); The Fall (Singh; 2006); Cloverfield (Reeves); Anvil! The Story of Anvil (Gervasi); My Blueberry Nights (Wong); Marley &amp; Me (Frankel); Harold &amp; Kumar Escape from Guantanamo Bay (some dudes)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;meh&lt;/em&gt;: Redbelt (Mamet); Indiana Jones and the Kingdom of the Crystal Skull (Spielberg); Hancock (Berg)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;bleh&lt;/em&gt;: Mamma Mia! (Lloyd)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2009&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="blue"&gt;1. Inglourious Basterds (Quentin Tarantino)&lt;br /&gt;2. A Serious Man (Ethan &amp; Joel Coen)&lt;/font&gt;&lt;br /&gt;&lt;font color="green"&gt;3. Bad Lieutenant: Port of Call New Orleans (Werner Herzog)&lt;br /&gt;4. Up (Pete Docter &amp; Bob Peterson)&lt;br /&gt;5. Fantastic Mr. Fox (Wes Anderson)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;6. Beeswax (Andrew Bujalski)&lt;br /&gt;7. Zombieland (Ruben Fleischer)&lt;br /&gt;8. The White Ribbon (Michael Haneke)&lt;/font&gt;&lt;br /&gt;9. Humpday (Lynn Shelton)&lt;br /&gt;10. Adventureland (Greg Mottola)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;yeh&lt;/u&gt;: Valhalla Rising (Winding Refn); It's Complicated (Meyers); The Brothers Bloom (Johnson); Watchmen (Snyder); Collapse (Smith); Up in the Air (Reitman); 2012 (Emmerich); The Informant (Soderbergh); I Love You, Man (Hamburg); District 9 (Blomkamp); The Hangover (Phillips)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;eh&lt;/u&gt;: Big Fan (Siegel); Avatar (Cameron); Harry Potter and the Half-Blood Prince (Yates); Sherlock Holmes (Ritchie)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;meh&lt;/u&gt;: Where the Wild Things Are (Jonze)&lt;br /&gt;&lt;br /&gt;&lt;u&gt;bleh&lt;/u&gt;: 2012 (Emmerich); G-Force (Yeatman)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2010&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;font color="green"&gt;01. Exit Through the Gift Shop (Banksy)&lt;/font&gt;&lt;br /&gt;&lt;font color="red"&gt;02. True Grit (Joel &amp; Ethan Coen)&lt;br /&gt;03. Catfish (Henry Joost/Ariel Schulman)&lt;/font&gt;&lt;br /&gt;04. Shutter Island (Martin Scorsese)&lt;br /&gt;05. I'm Still Here (Casey Affleck)&lt;br /&gt;06. Harry Potter and the Deathly Hallows, Pt. 1 (David Yates)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/8151432-109399413473718849?l=cinemaetceteratoptens.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://cinemaetceteratoptens.blogspot.com/feeds/109399413473718849/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=8151432&amp;postID=109399413473718849' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8151432/posts/default/109399413473718849'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8151432/posts/default/109399413473718849'/><link rel='alternate' type='text/html' href='http://cinemaetceteratoptens.blogspot.com/2004/08/top-tens.html' title='Top Tens'/><author><name>Michael K.</name><uri>http://www.blogger.com/profile/10983425929991120494</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>2</thr:total></entry></feed>
